视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。1990年代，北京。来京参加集训的短跑运动员常平（邵兵 饰）在一次意外事件中结识陆小扬（宁静 饰）。小扬的男友大鹏（耿乐 饰）整日打理生意，忽略了对女友的关照，小扬很是不满。通过一段时间接触，小扬对陆平产生好感，但作为残疾人运动员的陆平自感配不上小扬，心里非常矛盾。在一次为小扬家扛煤气罐时残腿受伤影响了训练，白教练（芝诚 饰）十分生气，收回假肢以阻止他与小扬约会。被人横刀夺爱的大鹏要跟常平决斗，但当他看到对手是个裤管空空的残疾人时，内心说不出什么滋味。残运会开始了，此时的小扬刚知道常平的身份，她急忙赶往体育场，无奈因没票被挡在外面，但场内响起的雷鸣般掌声让她悟到了什么......。Centers on the Kilcher family and their community outside Homer, Alaska. Led by patriarch Atz Kilcher, singer Jewel's father, the family have lived on their land for three generations. The show also focuses on the homesteaders who live by the Kilchers, including, Brother Roadkill, who eats animals lying dead on the side of the road.。
