视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。百老汇，一个充满了梦想和希望的地方，有些人的名字在这里被永远篆刻在荣誉碑上，而另一些人，则只能在黑暗中品尝着梦想破碎的滋味独自饮泣。汤姆（克里斯蒂安·鲍勒 Christian Borle 饰）和茱莉亚（黛博拉·梅辛 Debra Messing 饰）决定制作一部有关玛丽莲·梦露的音乐剧，此消息一经放出，立刻就吸引了公众的目光，各路人马犹如闻到了鱼腥味的猫咪一般纷至沓来。 女演员凯伦（凯瑟琳·麦菲 Katharine McPhee 饰）拥有一副所有女人都羡慕的羡慕外表，却在事业上屡屡遭遇挫折，和她同样境遇的还有艾薇（梅根·希尔提 Megan Hilty 饰），两人都将能够扮演玛丽莲·梦露当成了事业和人生的突破口。随着时间的推移，制作团队逐渐扩大，台上和台下，好戏共同上演着。。
