视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。本作は、小さな花屋を経営して幸せに暮らす野山穂花が、1通の手紙をきっかけに疑心暗鬼に陥っていく“愛憎・闇堕ち”ミステリー。花屋「リリアス」を営む穂花は、6歳下の夫・雅道と充実した新婚生活を送っていた。「お互いの過去は詮索せず、今を大事にしよう」と誓って2人は結婚したが、ある日彼女のもとに「あなたの夫の秘密を知っています」と書かれた差出人不明の手紙が届く。不信感を募らせた穂花は、雅道の周囲にいる女性に対して嫉妬や疑念を抱き始め、徐々に心が崩壊。不穏な出来事が次々と起こり、負の感情は、裏切り、復讐、略奪に発展していく。。讲述少年时期的包拯在进京赶考途中侦破《血魂林》、《魄灵镇》、《幽怨谷》……等天下奇案，和公孙策、小展昭一起经历的各种离奇故事。。
