视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。《科学小飞侠》这部动画的原作是吉田龙夫（漫画家出身，后来投入动画制作而成立龙之子制作，已故），由鸟海尽三与陶山智负责企划。本片当初是以与巨大机械战斗的低年龄向动作片为起点，但在导入公害、科学、战争等现实中的严肃题材，与亲情及角色过去的戏剧性，这些非儿童导向的故事都博得好评，因而得以将预定的一年播映期延长，并成为龙之子制作的SF英雄动画类型经典代表作。。
